The façades are arranged over various levels determined by the orography of the land, which has a natural slope, and each has similar architectural characteristics and a regular and elegant appearance marked by various openings, cornices and ornamental bands.
The building in question was also analysed in Giovanni Brina’s book Le facciate delle case di Siena: 1900-1902: i bozzetti del concorso del Monte dei Paschi di Siena. Siena, Protagon Editori, 2007.
The aim was to return to creating a homogeneous appearance of the street in the small square in front, just as it was at the beginning of the last century. The building was plastered in stages: initially to restore the plasterwork of the façade by consolidating and cleaning the existing plasterwork, a second step to integrate the missing plasterwork where plaster mortar was used, composed of traditional binders such as slaked lime, natural hydraulic lime and sand; the paint colour as chosen from colour samples of the façades from the 1900 competition.
